Vril Jäger – Vril Jäger

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Vril Jäger – Vril Jäger LP Heiðrunar Myrkrunar 2016

Vril Jäger is a new project featuring Kim Larsen – better known for his main neo-folk project Of the Wand and the Moon, and Thomas Bojden – better known for his main martial industrial project Die Weisse Rose.  Perhaps then in making a concerted effort to side step any direct comparisons or similarities to their main projects, Vril Jäger stands apart by evoking an early to mid 1990’s ‘heavy electronics’ sound, but further augmented with ritual / martial styled percussion and sub-orchestral dark ambient elements. The music framework is then completed with dialogue samples and strong commanding vocals (both spoken and whispered with slight studio treatments being applied).  Thematically speaking the lyrics and dialogue samples reveal a focus on a variety of interlinked conspiracy theories and occult symbolism including: Vril Society/ Vril energy, electronic voice phenomenon (EVP), parallel dimensions, hollow earth hypothesis etc, which works rather well to present a strong conceptual base.

For the opening track ‘Vril-Ya’ presents a lengthy piece, assembled around ominous drones, slow booming Japanese war drums, atonal drawling horns and clattering ritual percussion, where the whispered and slightly treated vocals providing a ceremonial edge (…without doubt an excellent start).  Interestingly the following track ‘Maw of Kalki’ constitutes a direct channeling the atmosphere of early works of Predominance (a high compliment from these quarters), but noting the sub-orchestral synths and choral type vocals gives rise to this comparison, here it twisted to individual result with its martial / ritual percussion.  With the first side of the LP featuring only 2 lengthy track, instead the second side features 4, consisting of 2 short vignettes to bookend the other 2 middle tracks of 6 to 8 minutes each.  Following a similar sonic scope to the first side, ‘Through The Firmaments’ is a drawling soundscapes featuring driving ritual percussion and layered wailing horns, while ‘Radio Wyrd’ is noteworthy fort its shrill strings of rising dread as a backing to a documentary dialogue sample talks of EVP/ inter-dimensional phenomenon. ‘Sanctified by Constellations’ then concludes the album in short and simple guise, featuring a sparse yet achingly morose sub-orchestral melody, with a short poetic tome.

Despite the label promo stating that Vril Jäger should not be considered a ‘side project’, nevertheless it came to my attention on the basis of its members. But making good on their assertion that Vril Jäger is not a mere ‘side project’, it has still caught me by surprise me by how different it actually is when compared to initial ‘face value’ expectations.  As such Vril Jäger have arrived as a fully formed and thematically focused group, whom in the process have delivered an excellent debut album.  As a final note on the album’s presentation, whilst the spot varnished logo of the cover is slick and understated, it is also rather plain and uninspired, where the group’s photo presented on the back cover would have in my estimation made a more compelling front cover.

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