Red Wine and Sugar – Dogs, Blood, Storms, Spiders

Red Wine and Sugar – Dogs, Blood, Storms, Spiders LP Index Clean 2017

Dogs, Blood, Storms, Spiders arrives as the formal debut album of Red Wine and Sugar, which following 2016’s compilation CD Chattels + The Confidence and Humour of John (reviewed here). Although earlier material was clearly experimental in approach, this album sees a greater reliance on minimalism and abstraction. Likewise with the Discogs ‘style tags’ listing: ‘musique concrète, ‘experimental’, ‘spoken word’ and ‘sound collage’, it provides further confirmation of this perception.

With the musical framework being abstract and minimal, it is primarily constructed around pulsing textures, wavering tones and further intertwined with various field recording fragments (with detectable elements including: incidental street noise; a broom sweeping concrete; wood wind-chimes; and environmental elements such as birds, crickets, frogs, rain etc.). Coupled with the sonics are the slightly twisted/ treated spoken vocals, which generate an unnerving effect based on their deadpan delivery. Lyrically it continues the established pattern of addressing and describing a range of personalized anxiety based scenarios and internalized dialogue/ observations (while some sections feels to have been quoted from a psychological therapy type manual).

To speak of specific tracks, Entering a Room When Others Area Already Seated sonically engenders a sullen and haunted atmosphere, which is derived from is discrete piano melody and abstract and minimalist strings (cello perhaps?).  View of the Room Darkened differs given it commences with a series of sparse organ styled synth stabs (and has a more surreal edge due to the greater twisted sonic treatment of the vocals), before shifting pace with moody minimalist sub-orchestral type phrase. For the final of the five tracks, Wherever You Go, Make it so You Were Barely Ever There is the most sonically active, being based around lots of up-close micro-tonal elements and contact mic’ed recordings, while the backing structure is a dour ‘sci-fi’ synth line and minimalist atonal beat.

Whilst noting its heavily experimental preoccupations, the album also contains a dark sonic streak which functions to tie together the overall mood.  To also mention its graphic presentation, interestingly it has been designed to include all lyrics thus it results in having more of the appearance of a printed inner-sleeve (and therefore immediately skews any initial expectations). Constituting a different and distinct release, this is also a recommended one.

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