Unsound Recordings – New Releases 2017

Unsound Recordings functions as a side label to Unrest Productions, where I understand its role is to allow smaller releases to be issued more quickly with simplified packaging. Although the last items on the label date from 2015, now in 2017 it brings new releases from two young projects and new signings to the roster, namely Detrimental Effect and Code Neda. A brief rundown on each follows below.


Detrimental Effect – To Brandon Bryant MC Unsound Recordings 2017

Thematically speaking, the US military/industrial complex may be nothing new for industrial and power electronics music. However, on this debut tape Detrimental Effect have taken a different and interesting angle by focusing on Brandon Bryant – a US drone pilot and later whistle-blower who highlighted the detached methods of killing in modern warfare. Musically speaking this is clean, loud and modern sounding, which also draws heavily from traditional German power electronics/ heavy industrial sound (and perhaps Ex.Order is the closest comparison to make?) . As such the tracks are based on honed structures of shuddering loops, waving sonic elements and bristling distortion which gradually ramp up in intensity. The mood is further elevated through the heavily treated vocals (flanged and echoed), and delivered with spite and tinged with indignation.

Specific samples relating to the theme further fleshes out the concept and are used as intro or outros, or otherwise are incorporated within tracks. That Others May Die is individually noteworthy based on its base of scattered distortion, queasy central oscillation and deadpan spoken vocal line (slightly treated and echoed). Equally noteworthy is the overt fierceness of the final track Total Denial with its tonally buzzing loops and antagonist vocal attack, amounting to a very effective power electronics barrage. Direct and to the point, the material on this debut is delivered with both skill and conviction, which on occasion rises to blood boiling intensity.

Six tracks in all feature on the tape, with perhaps 30 minutes of material on offer. Without doubt Detrimental Effect is project to keep an eye on, given it also fits neatly alongside many of the other projects on the parent label Unrest Productions (such as Kevlar, Kontinent, Uncodified etc.).


Code Neda – The Death of Neda MC Unsound Recordings 2017

Code Neda are another new project signed to Unsound Recordings, but this time I know nothing about this project or who is behind it. This however appears to be Code Neda’s debut tape, and limited to 80 hand numbered copies.

Musically speaking it features sweeping death industrial which on occasion is blended with elements of ritual tinged heavy electronics (something akin to mid to late 1990’s heavy electronics sound of Loki Foundation projects is a partial comparison).  To speak of notable tracks, Tigray uses stilted heavy rhythms which provides structure to a widescreen atmospheric soundscape and sampled religious chants. Another particularly noteworthy track is ABC – Protection, which is framed around deep sub-orchestral drones, militant percussion, scraping textures and muted garbled vocals. The final track The Machine Will Be Prevented from Working at All, is perhaps the most direct death industrial track based on its heavy pounding structures, bristling loops and treated samples (and perhaps vocals? Not completely sure).

On the one hand Code Neda’s sound is dank and pounding in tone, but on the other it is balanced with other ritualistic and atmospheric elements, which functions to create an individualistic approach. Thus with six varied tracks and around 20-25 minutes of material, Code Nera have issued a very strong and interesting debut release and consequently are another new project to keep a keen eye on.


 

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Noise Receptor Journal Issue No.1 – third and final edition now available

Noise Receptor Journal Issue No.1 – third and final edition now available

By way of background, the first edition of Issue No.1 was printed in 200 hand numbered copies, followed by a second edition (unnumbered) of 150 copies. However during the printing process of the second edition, the printer accidentally excluded the inside front cover and inside back covers, with these ‘misprinted’ copies having been sitting in a box unused.

As there has been substantial ongoing interest in Issue No.1, and that the first and second editions have completely sold out, I have decided to use the 150 ‘misprinted’ copies as the third and final edition, where the missing pages have been glued in as ‘fold-out’ pages (refer to images below).

Copies can now be ordered here: http://noisereceptor.bigcartel.com/product/noise-receptor-journal-issue-no-1


 

Fall of Nature Batch 2017

Fall of Nature’s recent batch of tapes reveals four projects working within the spheres spanning dank and minimalist death ambient, to abrasive and harsh death industrial. With each project demonstrating their own twist and personalised take on these styles, following below is a brief overview of each of the four releases.


N. – Hospital Murders MC Fall of Nature 2017

With this long standing Italian project, their approach is of a sustained and minimalist death industrial type. Twelve tracks span both sides and with the recordings themselves deriving from 2003 this is a reissue of a tape from 2004 (but also issued on CDr in 2016). After a lengthy intro (based on a dialogue/ soundtrack sample), things get down to the business of issuing tracks based on moribund and loosely wavering oscillations. Despite the material being relatively simplistic, an all-important morbid atmosphere sits front and centre, regardless of whether the tracks are slowly plodding; or bass tone rhythmic; or minimal and soundscape based (Side B also contains a couple of tracks which use some prominent samples). Overall N. very much embodies an Italian underground minimalist death industrial sound (think Atrax Morgue for good measure), and this alone will give an idea of the quality to expect.


 

Subklinik – Monothestic Entrance of Seclusion MC Fall of Nature 2017

Subklinik is the solo project of Chad Davis, and on for this release it is a physical edition of a previously a digital only release from 2015. Taking its sonic reference from a grim death industrial sound, this has been distilled down into a minimalist death ambient/ dark ambient hybrid. With muted sub-orchestral elements (i.e. treated elongated vocal chants) and dank catacombal droning ambience, the sound is equally widescreen as it is enveloping. A general mood of muted stasis vs catatonic drift features across the 3 lengthy compositions. It also reminds of Lustmord’s heralded classic Heresy on more the a few moments, particularly as the sound and tone is not in any way clean or digital (more like choking grey to black toned). An excellently minimalist and deathly atmospheric tape.


 

Vitriol Guage – Gone Septic MC Fall of Nature 2017

Vitriol Guage are an American solo project of Anthony S. Kuchta III (operating since 2012), who incidentally recently joined another American project United Front as their permanent vocalist. As for his solo works, on Gone Septic the sound is a murky but extremely heavy, and is delivered in a direct and pounding death industrial style. Generally the sound is based on heavy and slow bass driven layers which are mixed with muted minor keyed synth loops, but on occasion it pushes towards harder power electronics intensity. Likewise, when vocals are used they are either a blurred mass of distortion (fierce in their tone and delivery), or otherwise presented in a drawling spoken chant. Nine tracks are spread over the two sides of the tape, and while the tracks are each relatively short and to the point, they hit hard in the time they hang around. Being very much aligned with other current American projects such as Gnawed and The Vomit Arsonist, this is a very strong tape and a great introduction to this project.


Kadaver – Hypothermiasma MC Fall of Nature 2017

With Hypothermiasma the long standing and prolific Israeli solo project Kadaver delivers a sonically fierce tape . From the outset the sound is multifaceted and shredding, and stepping beyond a strict death industrial sound, given the sound features a swirling sonic maelstrom of loose noise and intense feedback. In the most part the tape is an exercise in the abrasive over the atmospheric. On Side A two of the four tracks are effectively straight noise workouts, while the other two are based on a variety of forceful loops that intersect and intertwine (and fall in out of sync based on some being slow and others fast and chaotic). The humorously titled 23 Shades Of Decomposition (first track on Side B), bring some respite given its ritual tone, sampled chants and minimalist soundscape, but this is short lived given the later introduction of an invasive needling tone. Likewise the following track Maruta reverts to obliterating overdrive, while the final track Pink Sabbath is of a muted death industrial type. Perhaps more chaotic in tone than what I would usually choose to listen to, this is still an expertly executed tape.


As noted in the introduction, there is clear diversity in approach to be found on these four tapes, but based on my own sonic preferences, Vitriol Gauge is my pick of the bunch and followed closely by Subklinik.