Tusen Ar Under Jord – Sandhavens Genklang LP Verlautbarung 2017
Although I was previously aware of this mysterious Swedish project, I have not had an opportunity to hear them until now, which was basically due to not being able to track down a copy of their limited debut tape.
Given the debut tape Sorgsendömet Fobos from 2013 was described as one which “transcends the border lines between drone, ambient and dark echoes of the past”, this follow up LP is noted to be a different beast altogether. Sonically speaking Sandhavens Genklang is rooted in a ‘exotic’ middle eastern sound, where it would appear this album is constructed from sampling and looping fragments of old and forgotten records which were otherwise reconciled to the dustbin of history. In resurrecting fragments of those sampled records, the music is mostly framed around prominent elements of hypnotic tabla percussion, melodious woodwinds, bowed traditional string instruments, wailing horns and tribal chimes, which generates an atmosphere of a dusty and bustling market place in some unnamed city in ancient times. The sampling of old records also means the finished recording contains prominent ‘artifacts’ of hiss, pop and crackle which adds to the sonic allure and general sense of sonic mystery and sets the tone far form being modern digitally produced recording. On the visual front, the cover also exudes an exotic flavour, with the project name and title printed on a piece of cloth affixed to the cover, along with a postcard featuring a drawing of the pyramids of Giza and what may just be a UFO hovering above.
Essentially the strength of this release is it completely transcends any genre confines and thereby completely skews associated expectations to reside in its own musical sphere. Although being a highly atmospheric recording, equally it is not overtly ‘dark’ in mood, but does contain a quite uniquely exotic vibe and aura which will appeal to the sonically curious who are looking for something divergent from the usual underground ilk. Recommended.