Salford Electronics – Communique No.2

Salford Electronics – Communique No.2 CD Tesco Organsiation 2017

Now that The Grey Wolves have ceased activity, former member Dave Padbury will be continuing in solo guide under the Salford Electronics moniker. In then noting that Salford is a suburb of Manchester, UK it may be reasonable to assume this is where Dave resides and it has duly informed the project title.

Perhaps of note, this debut Salford Electronics album was released a couple of months before The Grey Wolves final album Exit Strategy (reviewed here). Now having had a chance to listen to both albums in detail, there appears to be clear conceptual linage between the two (and perhaps this observation better frames Exist Strategy as being an album strongly influenced by the current sonic mind sent of Dave as evidenced on Communique No.2). Likewise, with reference to the soundtrack/ soundscape style of Exit Strategy, this mood also threads through Communique No.2 albeit in a far more controlled and ambient guise. The promo blurb also draws such parallels given its description of: “Salford Electronics is the follow up to The Grey Wolves – Communique 2 is a perfect Interzone eternal night noise or neon rain-soaked stalker science fiction vibrations for would-be blade runners, A soundtrack to the hollow hours empty of sleep”. Although ultimately differing in sonic execution, Communique 2 and Exist Strategy are two albums which work rather well together, given they explore similar thematic territory, but with slightly differing sonic result.

Given that Communique No.2 spans 41 minutes across ten interlinking tracks, it is best taken as a complete musical work. As such it is an album that is darkly moody and which sonically articulates a dystopian malaise of the dead hours of night, where the atmospheric industrial-noise/ dark ambient  soundscapes slowly ooze forwards in a minimalistic and cinematic guise. Here darkly moody elongated drones mix with sparse washes of noise, buzzing distortion, semi-buried rhythmic elements, but all the while maintaining a controlled and minimalist tone. But not being of studio construction alone, Prestwich is constructed around dank urban field recordings, minimalist electronics pulses and semi-buried radio chatter. Yet to speak of differences, This Sickness positioned at the centre of the album differs from the bulk of the album given its programmed/ electronic rhythmic structure.

With the effective ‘non-existent’ album artwork giving no visual reference points, it functions to redirect all focus on the musical framework, which reveals a highly detailed work of dank minimalist atmospherics and interspersed with occasional moments of biting tensile sonics. The fact that such a strong solo project has emerged from the ashes The Grey Wolves should be welcomed news, and hopefully bodes well for more high caliber material being delivered by Dave Padbury via the Salford Electronics moniker. Recommended.

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