raison d’être – Alchymeia

raison d’être – Alchymeia DLP Cyclic Law 2018

Firstly, it is important to acknowledge how integral the works of Peter Andersson/ raison d’être have been to my music appreciation over the last 23 years, which ultimately means any new release from the project is welcomed beyond measure. In a discographic context a further four years have already passed since 2014’s Mise En Abyme album (reviewed here), with the new album seeing a move to Cyclic Law, which indecently is the label which has become the home for many former Cold Meat Industry projects.

Thematically speaking it is necessary to highlight this is not melancholic music for the mere sake of it, rather on Alchymeia (and to quote from the promo blurb): “….Peter Andersson scrutinizes the paths of Carl Gustav Jung’s notions of archetypes and the individuation process. Alchymeia is diving deep down to the shadows of the unconsciousness, and back to a dawn of the true Self. Confronting the shadow within is the darkest time of despair. There seems no way forward, only down. All is blackening and decomposed. Suddenly, through an enantiodromia, the ever deepening descent into the unconscious transmogrifies and becomes gradually illuminated. The melancholia is being purified. The melancholia is being purified. Alchymeia is in a sense the “raison d’être” of raison d’être, a shadowy journey through our unconscious the individuation process and archetypes”. So, certainly a strong thematic context to frame listening and appreciation of the album.

Noting that Alchymeia spans just over 70 minutes, perhaps as expected the mood and pacing of the four album compositions are slow morphing, sacral toned and religious choir/ chant framed dark ambience.  Each of the four compositions are then noted to be freeform and amorphous, effectively shifting through difference passages within their run time but also interlinking into a greater whole. However of particularly note are the various sonic elements which arc back to the sound and tone of earlier albums. Such examples of this include: the wind-chimes from Enthraled By The Wind Of Lonelienes; strongly composed/ percussive and vocal driven passages of Within The Depths Of Silence And Phormations; the floating melancholy drones and treated choirs from In Sadness, Silence And Solitude; and not to forget the atonal metallic scrapping textures from The Empty Hollow Unfolds. Yet equally, these recognisable aspects are blended with new sonic elements which include: the prominent church organ timbred drones on Albero; the slow and deep rhythmic ritual drums of Citrinitas; as well as the minimalist contemporary piano melody and deep sustained power drones of Rubedo to name a number selected elements. Noting that each of the four tracks are between seventeen to eighteen minutes each, that has allowed each to neatly fit on a side of vinyl LP, and therefore has allowed the album to be issued on double gate-fold vinyl, and which constitutes the first time that raison d’être have issued an album on this format, in addition to the usual CD and digital.  Likewise the artwork is noteworthy for being darkly stunning and visually symbolic of the musical landscapes.

Personally, there are albums within raison d’être’s discography which are untouchable classics, so it is too early to say how this new album will compare in the longer term, but before hearing this I already anticipated I would appreciate whatever was to be presented. Yet even with such a high degree of expectation, I am still surprised by how creative and vital this album sounds and feels, and particularly with it drawing together sonic threads from the last decades of the project and blending these with new avenues of experimentation. In essence Alchymeia another peerless example from an established master of cerebral, introspective and meditative dark ambience of the highest calibre. Recommended.

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