Grunt – Castrate The Illusionist

Grunt – Castrate The Illusionist LP Freak Animal 2018

Grunt return three years after Myth Of Blood (reviewed here), and continues the approach of delivering albums containing a collection of distinct and individual tracks. This follows the pattern already set down by World Draped In A Camouflage from 2012 (reviewed here) and continued on Myth Of Blood. As such Castrate The Illusionist can be considered as effectively rounding out a trilogy of releases, featuring unhinged, noise infused power electronics of the highest caliber.

Of the eleven album tracks are on the shorter side (two to five minutes each), which allows a wide variety of sounds, textures and sonic approaches to be explored. Likewise some quite unexpected sound-sources make an appearance, including a wonky treated accordion sample on The Iron Curtain Of Discreet Silence, which is placed within an instrumental soundscape of clattering junk metal, maudlin choir-esque sustained synths and squelching up front noise. Varied vocals feature across the album, ranging from the rock hard spoken passages to those of the trademark gruff yells and occasional unhinged shrieks.  Of note, the album contains two effective ‘hit songs’, including Hunting Within Civilization and Purge of Violence, both of which rely on heady pulsing textures to generate anthemic fist pumping effect, coupled with raw junk metal smatterings of noise and gruff agonised vocals (…and for the eagled eyed (eared?) both tracks previously featured in live versions on the Swarm of Parasites tape from 2016). Yet to speak of a slight negative, Human Storage seems somewhat out of place among the rest, as it is sonically less resolved overall and feels to be a more of a short, improvised piece.

Beyond describing individual tracks, the general mood and atmosphere oscillates between controlled anger to barely restrained violence, and while there is a clear display of meticulous construction of its varied sound elements, the tone never forges a shredding and raw tonal aesthetic. In an overarching sense Castrate The Illusionist can be considered to be of equal standing to the last couple of albums (as well as the Sacrosanct Imperium EP reviewed here), meaning this is more extremely high calibre material and again demonstrates without question Mikko Aspa’s sonic mastery of his chosen craft.

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