Nordvargr – Metempsychosis CD Cyclic Law 2018
For any long term reader of my writings on the post-industrial underground, it should be blatantly obvious by now that projects affiliated with the Cold Meat Industry label have constituted a constant thread of my listening choices since the mid 1990’s. This then obviously extends to the numerous musical offerings of Nordvargr which have been issued via his MANY projects over the same period. In then noting his hyper-productivity over his career to date, even in that context the last couple of years appear to have been particularly busy for Nordvargr. Likewise perhaps another relevant observation to be made, is that over the years Nordvargr has demonstrated continual creative reinventions of his working methods, where old approaches have been discarded in favour of new sounds and approaches within the broader post-industrial underground (and therefore thankfully avoids his output potentially diminishing in impact via a gradual watering down of ideas). Now with reference to Nordvargr’s current creative arc, the focus has been squarely on a ritual death industrial tangent, where Metempsychosis feels to be a culmination of this sound. To this ear, the linage of this new album can be traced in part to the album length EP The Secret Barbarous Names (reviewed here), and elements of the recent collaborations with Margaux Renaudin under the Anima Nostra moniker (reviewed here and here), in addition to drawing in external influences from the vocal led and rhythmic death industrial song based approach of Trepanseringritualen (aka TxRxP). And speaking of the later, Thomas of TxRxP is a vocal contributor on one of the album tracks.
In essence the musical approach encapsulated on Metempsychosis involves somber ritual soundscapes which function as short bridging pieces between the heavily driving and rhythmic/ tribal/ industrial beat driven songs. In also utilising a perhaps non-typical elements for this sort of material, a bass guitar is prominently featured to provide a throbbing rhythmic undercurrent to match the real drums, ritual percussion and verse/ chorus/ verse gruff vocals. A particularly good example of this mix is on First East, where the bass line is coupled with stoic martial tinged percussion for strongly rousing result. While the bass playing on Salve Teragmon borders on being overtly groovy, it fits neatly with the clanging pounding percussion to create a driving mid-paced furrow, and consequently stands out as one the album’s most recognizable offerings. Sweet Death Triumphant also features as another album standout based on the slow pounding percussion, blaring foghorns, and guttural anthemic repeated chorus, which combine for an absolute immediacy of impact. But rather than that last statement being mere hyperbole, it was literally proven at the Cold Meat Industry 30th Anniversary pre-show, as when Nordvargr played Sweet Death Triumphant live for the first time, the crowd responded with an unscripted sing along (despite no-one having heard the track before that moment it was being played).
Featuring ten tracks in all, and with the use of real instrumentation mixed alongside the synthetic produced elements, it results in the material sounding to be more of a band than solo studio project, and provides a tangible human essence which is sorely missed when music is crated by computer means alone. The sonic quality provided by its real instrumentation and song focused tracks functions to added to the overall listening experience, where this album has proven itself to be engaging album by virtue of being regular rotation over recent months – such is the benefits of being provided with early versions and the final mix well in advance of its formal release date. While it then remains to be seen whether Nordvargr will continue on this creative path, or perhaps again forges off in new directions, it certainly feels as if there is far more creative territory to be covered within this current stylistic approach. But before that question is answered by the next release, Metempsychosis stands as another pinnacle album in the ever-expanding creative cannon of Nordvargr. Vinyl, CD, cassette and digital rounds out the options for format, evidently with slight variations in track listing on each.