Ausströmen – Immobilise

Ausströmen – Immobilise CDr Faktion 2018

Ausströmen is a name I recognised from somewhere, which was then revealed to be due to the inclusion of their track Pornography Of Violence on Tesco Organisation’s lavish 4xLP compilation boxset Projekt Neue Ordnung II from 2017. That track is also featured here on along with another nine tracks, and with a total run time of 45 minutes it provides an indication of the compact nature of featured material.

Sonically speaking Ausströmen’s debut Immobilise is of an industrial and power electronics style with a thick bass driven approach, where the production of is clean, sharp and loud, while the sharper textures are mid-toned rather than higher pitched. Musically the ten tracks are clearly composed and of a definite song style based on programmed beats and structured layering of hostile pulsing textures, fizzing tones, and rupturing electronics. At times the approach leans towards a heavy rhythmic industrial sound, such as is displayed on Slow Burn, Pornography Of Violence and Dead Machine, yet at the same time it stops well short of being dance-floor focused or oriented. Male vocals are also present, but partially buried in the mix and deviating from apathetic spoken passages to partial proclamations. Perhaps the less rhythmic and more sonically abstract tracks as Voyeur, Faktion, Keppra, Glass appeal more to my own personal preferences, yet there is still both variation and sonic coherence displayed across the album as a whole.  The concluding track Solar Decay is also of note, based on its militantly maudlin approach of plodding rhythmic beat and deep moody drones. Given the honed, clean and at times clinical production, I would perhaps surmise that there is a degree of influence from the Galaktorro label (and particularly mid to late era Haus Arafna), and if this comparison is in fact incorrect on my part, it does at least serve to indicate where Ausströmen’s approach sits within an underground context.

To speak of chosen format, usually I avoid CDr releases like the plague, due to the bad taste left from the slapdash approach to the format within the underground during the late 1990’s and early 2000’s. Thankfully this is not the case here, where the lavish slider box with silver foil blocked/ embossed logo houses a pro-printed disc in a black clam-shell, along with an 8 page booklet and individual Polaroid photo. Sonically and visually Ausströmen have delivered a strong debut, but with the original limited edition of 50 copies already sold out, it would seem logical and sensible for a less limited repress to be issued.

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