Nil By Mouth batch reviews

ANTIchildLEAGUE / Cronaca Nera Bruises and Bites MC Nil By Mouth Recordings 2017

ANTIchildLEAGUE (aka the solo project of Gaya Donadio), has teamed up with Cronaca Nera whom I have not come across before. Although it appears they are an Italian project who issued two release back in 2001, which was then followed by a period of 13 years silence before reactivating in 2014, and now seems to be a trio including the involvement of Andrea Chiaravalli (aka Iugula-Thor).

For this collaborative tape Bruises and Bites features sonically fierce power electronics, and at times sounding completely psychologically unhinged based on the veracity of the vocals courtesy of Gaya. The title track opens the tape and complete sets the scene for the entire tape. Featuring saturated fried static, pulsating and grinding noise and aggressive echo and distortion treated vocals, these sonics elements have been cleaved into thick and punishingly loud structures which are pushed to overblown intensity. To then speak of the vocals, these are a standout element, where depending on the track, the voice appears to be barking orders and demands, and set against a secondary voice of variously choking, rasping and crying tones. Although sonically the material is choppy, loose and at times quite chaotic, there is clear compositional focus and intent which is clearly detectable under the more outwardly unhinged sonic elements.

The six distinct tracks span in the order of 30 minutes of music, which is further housed in a faux leather slip-sleeve, with further printed insert and postcards featuring group imagery in an S&M style. Issued in an unknown limitation, this is harsh, hard and high-calibre modern Italian power electronics.


Instinct Primal / Purba Forest Ritual MC Nil By Mouth Recordings 2018

Here is a collaborative release between Instinct Primal (the solo project of Jan Kruml), and Purba who is a Russian musical project focusing and Bon ritual music. Purba in its current form is the solo project of Svyatoslav Ponomarev, but of note is that an earlier incarnation of the group included the membership of Alexei Tegin (from 1996-2001), who is currently recognised as the leader of the Phurpa and who also play ritual music in the Bon tradition. But aside from that point of interest and link to Phurpha, this is a Purba release where evidently Forest Ritual is the first recordings made in 18 years. Musically speaking the material on Forest Ritual, features two lengthy ten-minute tracks and is as archaic as they come, with the basis of the recordings made in October, 2016 in a forest close to Kutna Hora, Czech Republic, which is the town where the infamous Sedlec ‘Bone Church’ is located. The cover then identifies the music is: “featuring snow, wind, trunks, stumps, and rusty nails in an ambient ritual of earth and fire”.

Day Forest Ritual (Part One) Holy Fire sonically features a myriad of field recordings including: frozen winds whipping through trees; creaking branches; footfalls tramping in the snow; and wood chopping for thudding percussive impact. Mid track contains some static noise hum before receding again and making way for throat derived vocal chants which are raw and animalistic in their delivery. The final section has the feel of being a studio treated recording of a roaring fire but elevated to shrill intensity. Night Forest Ritual (Part Two) features yet more forest derived sounds merged into vague ritualistic soundscapes, but here with a more prominent droning framework (again assumed to be the result of post recording studio treatment), and late passage contains a lone ritual drum and low garbled voice.

Definitively organic and ritualized in all aspects of sound and presentation, this is evocative and obscure in the best way possible and sits alongside the more abstract ritual sounds from the Aural Hypnox collective. The packaging also suits the feel of the music perfectly with the tape and multiple inserts with forest and nature imagery wrapped together with stained cheese cloth, twine and wire. At this point of the review, clearly you will know if this is an underground ritual obscurity for you.


Naxal Protocol The Stasi File MC Nil By Mouth Recordings 2015

Being a couple of years old already, I have had this tape for some time but only recently learned that the project is helmed by Piero Stanig of the older Italian experimental noise industrial project Cazzodio. To then highlight differences, with Naxal Protocol ‎the sound is originated towards a controlled heavy electronics style, where two tracks of around ten-minutes each feature on The Stasi File.

Stop And Frisk Induction features first and is a track of ominous cyclic drones with controlled bass driven undercurrent of vague rhythmic elements and buried samples of ill-defined and undecipherable meaning. Tumultus Et Urbanae Seditiones follows on the flip side and is choppier in execution, with rough thick distortion and friend noise hewn into rough looped structures, with occasionally detective crime interview dialogue samples, but mid paced and controlled overall. Mid track the loops elevate in intensity to more direct impact, before receding again into the final section.

All in all this is an enjoyable albeit short release, where the special packaging of a ‘top secret’ envelope with various printed inserts addressing societal control via police/ government/ military force is a nice touch (and limited to a 130 copies).


 

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