Mlehst – The Difficulty In Crossing A Field

Mlehst – The Difficulty In Crossing A Field 2xLP Hospital Productions 2017

With a discography of over 100 releases spanning back to 1991, Mlehst are a project I am not at all familiar with other than name alone. To then speak of The Difficulty In Crossing A Field, this is not a new recording from the solo project All Brentnall, but is a re-issue of a limited CDr dating back from 1998. As that was the same year when Hospital Productions as a label was originally launched, I am then going to assume that this album had a strong impact on label boss Dominick Fernow around that time, and hence is the reason why it has been plucked from obscurity for its reissue on double vinyl.

Sonically speak, the album is made up of four tracks of an experimental noise style, which feature as lengthy compositions on each LP side (10 to 19 minutes each). Far from being a hard and hard noise style, this is controlled and consider experimental soundscapes, including extensive quiet passages and a subtle dynamic depth and breadth of sound. While the mood and tone is loose and abstract, at the same time is not chaotic, instead showcasing a deft sense of compositional approach.

On the opening cut Flowery Twats it uses short segments or sections of choppy cut ups are used and at times are almost of quirky cartoonish quality, given way to passages of compositional restraint featuring cavernous doom addled reverb and mine shaft echo. The following piece Can Such Things Be? opts for quite prominent cyclic drones which stop short of breaking out into a noise squall, while maintaining a backdrop of sonic mineshaft depth and further augmented with indecipherable radio chatter.What Comes Round Goes Round charts a tensile muted industrial soundscape style, but the mood of this style is fractured with occasional choppy voice cut ups which become increasingly animated as the track progresses. The title track is the final of the four pieces and is clearly the nosiest, featuring a series of mid to high tone fragmented sound bursts, but which slowly morph into consolidated and thick pulsing drones, while later half then deviates off into fractured noise cut ups, before slowly descending into cavernous looped territory.

With the original CDr issued in only 100 copies, it is probably safe to assume it The Difficulty In Crossing A Field is one of the harder to find and consequently less heard releases in Mlehst’s discography. Obviously this new edition of 250 copies on gatefold vinyl, with artwork replicating the original, will then go part way to remedying that situation, given this is an enjoyable album of an experimental noise style.

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