Eidulon – Combustioni CD Malignant Records 2018
For background context Eidulon issued their debut CD Idolatriae on Malignant Records back in 2007, but then receded into the shadows for over a decade before returning to issue this second album. Although perhaps in truth there was not complete silence from the group following the debut, as in the intervening 11 year period contributions were made to a number of the respected Malignant Records/ Kalpamantra compilations between 2009 and 2018.
With reference to the first album, it was a quite minimalist and abstract take and experimental and industrial tinged dark ambient, Combustioni is an altogether different beast. Being a solid blend of sub-orchestral dark ambient, martial tinged industrial and apocalyptic neo-classical expression, Combustioni is varied in its sonic execution, which is perhaps partly explained by guest contributions on various tracks including: Nordvargr, Kammarheit, Naxal Protcol, Caul and Luca Soi. Specifically speaking, the guest vocals of Henrik Nordvargr Björkk are unmistakable on A Shimmer In The Void and The Hierarchy Of The Inner Planes, but perhaps coincidentally the backing music is not too dissimilar to Nordvargr’s last storming full length Metempsychosis, albeit more doomy and orchestral in execution here. Luca Soi also provides guest vocals on two tracks, with the first being on Grande Rosso which are in a croaked rasp more resembles an underground metal style, while the musical backing features towering orchestral brass horns and slow booming martial drums. Yet in a complete opposite form of vocal expression Luca’s vocals on Immanence are presented as clean sung and chanted, which is a standout element of the album and highlights yet further stylistic variation. Late album track Averni Flammas Transivi features contributions of Kammarheit which results in a droning soundscape which elevates to moments of shrill orchestral strings, while Stratificazione Settima concludes the album as an instrumental dark ambient offering containing muted sustained melodies and floating/ droning textures.
Not an overly long album at 42 minutes, it still packs a multitude of strong ideas in that run time. While the first CD was minimalistic in scope and sound, Combustioni is anything but, where the music is memorable with strong and rousing impact. To round out the physical presentation, the slick graphic design of the high gloss digi-pack includes stunning grey-toned imagery and full lyrics, which has been formatted to fold out into a Maltese Cross. A worthy release.