156 – Memento Mori

156 – Memento Mori 10”EP Fear of Hate and Fear 2016

Although 156 are a project I have little awareness of, Adel Souto appears to be main member and key contributor to the project. With a handful of releases issues since 2012, this EP is one of the more recent offerings. While I am not sure how this compares to other releases, on Memento Mori all tracks have been composed and recorded using only human bones as percussive or wind instruments (i.e thigh bone trumpet). Thus taking ques from one of the earliest ritual industrial pioneers Zero Kama (and more broadly Nekrophile Rekords), there is a deftly archaic and moody in feel and atmosphere to Memento Mori. However such a contextual reference point is more than a mere compassion, given that one of the tracks (Starlit Mire) is noted to be a cover of a Zero Kama track from The Secret Eye Of L.A.Y.L.A.H. 

As for the resultant sonics, the material is relatively simple and straight forward in execution, including minimalist percussive thrum, micro-tonal scraping textures and wailing atonal bone trumpet notes. Yet clearly the source material has been subject to studio treatment in the form of manipulating the recordings into series of structural loops and more widescreen soundscape drones. With nine tracks in all, each is a relatively short exploration of its tone and mood (with tracks ranging from one to five minutes each), with some being meditative and ritualistic, while others are heavily percussive driven. Rather intriguingly, the vinyl has been cut at 45rpm, with the intent that it can also be purposely played at 33rpm to create a slower elongated experience of the offered tracks.

For the physical manifestation, the music has been pressed into a hefty slab of bone coloured vinyl. The printed cover is then noted to feature a colour scheme which gives a further nod to Zero Kama, given it replicates the colours of The Goatherd And The Beast 10”EP. Archaic and obscure in the best way possible, Memento Mori is very much worthy of investigation.

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