Bladh / Urbaniak – On The New Revelations Of Being CD/DVD Infinity Land Press Ltd. 2019
Artistically speaking Martin Bladh has always blended a physical and cerebral approach to post-industrial/power electronics, which clearly deviates from the perhaps more typical bare white knuckled rage often ascribed to the genre. This CD/DVD set is a continuation of that process and is a collaboration between Martin Bladh and Karolina Urbaniak who are both behind the Infinity Land Press publishing house, and while I am less familiar with Karolina’s artistic output, she is self described as: ‘a photographer and multimedia producer’. Regarding the collaboration Martin is credited for libretto & voice and Karolina is credited for sound, visuals & production. To provide further context to the release a passage from the promo text states: ‘On The New Revelations of Being is a multimedia work based on Antonin Artaud’s apocalyptic manifesto from 1937. It envisions the end of the world and the death of God through a series of cataclysmic occurrences of Artaudian cruelty. The piece was originally performed as a part of Artaud & Sound: To Have Done with the Judgment of God, at the Visconti Studio, London, on 15th September 2018. This final event in a series of events marking the 70th anniversary of Artaud’s death, after previous events at Cabinet and Whitechapel Gallery, focused on Artaud’s experiments with sound and noise, and on contemporary responses to them. This CD/DVD set contains the full audio recording, the backdrop film and the full libretto from the performance’.
As for the media content both the CD and DVD contain the same 22-minute compositions On The New Revelation Of Being, where obviously the DVD includes accompany visual material. Sonically speaking the ‘music’ sits clearly within an experimental sphere, but one which heavily leans towards and is rooted in the darker elements of the post-industrial underground. Animated drones, scattered noise, sharp piecing tones, sparse percussion, wailing horns, atonal keys, crushing junk metal and sharply edited/panning sonic cut-ups define proceedings, where there is also a distinct use of loud and quiet passages which dovetail with the vocals. As for the predominantly spoken vocals, these are highly animated and enunciated in an occasionally theatrical way, and are distinctively those of Martin’s for anyone who has followed is primary output as part of IRM and Skin Area, while later in the piece rise to a more agonized style for which he is known.
For the visual side of things, a similar sharp editing cut-up style is evident, with a kaleidoscope of apocalyptic imagery is employed, variously including visual illustration of: the immense power of nature (from a human scale perspective), autopsy footage, sex-change medical procedures, crucifixions, the brutal survivalist instincts of the animal world etc, etc. Perhaps the suite of visuals is somewhat expected for post-industrial spheres, yet the slick, clean, rapid-fire editing elevates this far above the realm of mere shock tactics. The overall presentation and particularly the visual component very much places this in a contemporary art sphere and would not at all be out of place as a art gallery video installation. To that end, and while clearly different in its ultimate visual execution, when watching the unflinching and intensely apocalyptic visuals, I was strongly reminded of of a time when I was perhaps eleven years old when I by happenstance came across a video installation in an art gallery of one of Hermann Nitsch’s live actions (and perhaps something which had a pivotal and lasting impact on my artistic sensibilities and preferences).
Apart from the CD/ DVD, it comes with a 24 page A5 sized booklet which provides further images and full presented text to flesh out the detailed theme and context. Noting the literary and artistic slant of On The New Revelations Of Being makes this for a release which strongly appeals to my own artistic sensibilities, by now it should be clearly apparent if this is of interest to you (and very much should be if you are already a follower of Martin Bladh’s output). Limited to a mere 100 copies.