Michael Idehall – Four Prophecies

Michael Idehall – Four Prophecies 4xMC Cloister Recordings 2018

Micahel Idehall is a name I have been familiar with for a number of years, but for whatever reason never got around to checking any of his material until now. But in then being introduced to his music via this release, I have been advised that this is VERY different to his usual output, which I understand may be more rhythmic based and song focused. As for Four Prophecies, it very much an exercise in endurance as the four tapes contain a long-form 45-minute composition on each side, thereby totally a whopping six hours of music. As an overarching descriptor, this can be bracketed under minimalist and industrial tinged dark ambience, where the eight tracks are massively sprawling as may be expected from the format.

Given the sheer elongated run-time, there is a certain process of shifting your mindset when approach this, and very much seeking to slow the chatter and internal dialogue of your mind so as to better succumb to the slow evolutionary flow on display. Each piece effectively inhabits is own sound palette and minimalist stylistic slant and slowly unfurls over its duration. Sonically the industrial-ambient soundscapes are darkly hued, structured around layering of muted atonal drones and grey echoed sound washes, and while being predominantly instrumental, whispered vocals, and distant chants do make sporadic appearances. Select tracks have a more pronounced rhythmic undercurrents, including low bass throbs, stilted ritualized percussion and other mechanical textures (clicking sounds, distant machine idling etc).  There is also a notable darker abstracted ritual atmosphere throughout a number of compositions, which for the sake of comparison reminds of the late era minimalism of Archon Satani.

Given the long-form run time it is perhaps an overly obvious statement that it encompasses a meditative quality. But given the catatonic evolution of each piece, once your mind is drawn in it quickly generates an impression that there is no beginning and no end – but only the ever present now – where the mind slowly floats along in the ever-flowing sonic stream. Packaging wise does the set suitable justice with four pro-printed tapes and j-cards housed in an oversized pro-printed cardboard slider box. Clearly not a release for those with a short attention span, but a rewarding one for those with patience and willingness on focus on the minuscule sonic details and gradual tonal shifts.

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