Mz.412 – Svartmyrkr

Mz.412 – Svartmyrkr LP Cold Spring 2019
Over their now 31 year career Mz.412 have never been the most prolific group, but equally have made their core releases iron clad statement of intent. Likewise, rather that sticking to a single sonic approach over the decades, they have managed to cover quite some stylistic territory under the broader ‘black industrial’ banner. That has variously included: rudimentary ‘factory floor’ framed industrial (Macht Duch Stimmme and Malfeitor); satanic inspired black industrial (In Nomine Dei Nostri Satanas Luciferi Excelsi); black metal infused black industrial (Burning The Temple Of God); militant industrial/ power electronics influenced black industrial (Nordic Battle Signs); neo-classical tinged black ambient (Dominie Rex Infernum); and bombastic neo-classical framed black industrial (Infernal Affairs).

When excluding their live albums, Svartmyrkr is the eighth formal album from the group and a long twelve years on from Infernal Affairs. With myself holding a personal mindset
that there may have not been another Mz.412 album, I was OK with that prospect, given the strength and importance of the back catalogue. But in 2019 we have been graced with a new album Svartmyrkr, which thankfully both meets and exceeds hype and expectation. Ten tracks constitute the 45-minute album, where the pounding drums, male choirs of the short Antra Helstraffet functions as the album’s short intro. This is followed by the brooding to bombastic neo-classical track Öppna Helgrind driven forwards by mid-paced militant percussion and strong gruff vocals of Nordvargr. With its
distorted industrial furnace blasts Codex Mendacium mines the earlier black industrial sound of years past, while Ulvens Broder sees the group at their most bombastic with a rousing militantly tinged neo-classical track. Ulvens Bleka Syster is of note by featuring crawling and seething orchestral strings of a clear Penderecki strain. The albums also contains some surprises, such as the moody black ambient track Burn Your Temples, True Change with its central acoustic guitar courtesy of Kristoffer Oustad. Likewise, the late album pairing of She Who Offers Sorrow and We Are Infernal, qualify as effective
album ‘hits’, with both being militant and bombastic neoclassical driven black industrial tracks of the highest order.

With Svartmyrkr released in early 2019 and appreciated over a number of months, it is clear that it is an effective culmination of everything which has come before. Not being a
mere pastiche of earlier elements, rather it has drawn together core sonics elements into a complete and unified whole, where Svartmyrkr both compliments and builds upon the significant legacy of Mz.412. Wholeheartedly recommended.

 

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