Hal Hutchinson – Steelwork Fabricators MC Trapdoor Tapes 2019
Modelbau – The Whole Truth MC Trapdoor Tapes 2019
Luke Holland – Virtues Of Torture MC Trapdoor Tapes 2019
Being well aware of Hal’s activities in his other projects, I am then not as well versed with his solo output – other than understanding it is of a raw scrap metal noise type. Steelwork Fabricators features two untitled tracks, which are both excellent examples of what can be achieved with slow control noise, opposed to an overtly chaotic noise attack. Thus a laborious and roughly hewn scrap metal approach is the order of the day. Clearly not being from a singular improvised recording session, Hal has taken a multi-layered approach, where the tracks are carefully constructed layered for maximum impact. With a slow, jagged, hefty and ripping bass tone, the production is also thickly hollow, and in select moments contains a thunderous but abstracted oil barrel beat. In essence the sound is amazing and could be creatively described as an the rusting hulk of an abandoned steel cargo ship being slowly crushed and swallowed by expanding sheets of ice. With only 20 minutes run time, this is far too short and leaves me wanting much more.
Regarding Modelbau I I had not heard of the project before before, but then immediately recognised the name behind the project – Frans de Waard – formerly of Kapotte Muziek and the Staalplaat shop/ label, and currently of the Vital Weekly online publication. But to talk specifically of Modelbau, the project is concerned with densely detailed tape experimentation, where two length tracks feature on each side of the tape. The title track leads off with highly animated lo-fi noise, which is blended with treated bells or gongs and a plethora of detailed natural field recordings elements (wind, water, birds, voices etc). Extremely dense in sound, the atmosphere is one of an elevating maelstrom of sound than anything remotely ambient or relaxing. Back There features on Side B, and steps the sound up a notch with a more direct sound which verges on industrial-noise. Here scrambling and scattered distortion sit in the foreground, while abstracted metallic tones and distant echoed field recording elements site far back within the mix. With around 50 releases issued since 2012, this is an intriguing introduction to Modelbau and their forcefully detailed, yet engaging low-fi approach.
On Virtues of Torture, Luke Holland delivers a single lengthy 28 minute track of his particular brand of muted industrial noise. But from the lead off, it is immediately apparent that the the track displays more of an affinity with a loosely rhythmic death industrial sound. As such the slow ‘two note’ rhythmic pulse and windswept oscillating layers generates an excellent dank minimalism, which sits at a mid-point somewhere between Atrax Morgue and early Brighter Death Now. Being an instrumental track and with its elongated length, the track takes its time to gradually morph and shift, but generally not straying too far from the core framework, until a quite dramatic shift late in the track to a section of crumbling distortion, forceful bass tones and wailing horns of death. All in all another solid offering from the Trapdoor Tapes label head.