Entre Vifs – Offranfe et Partage CD Aussaat 2019
Despite having releases extending back 30 years, I am less than familiar with Entre Vifs’ output, but I am aware they are an exponent of a ’bruitism’ approach to music – aka ‘the art of noise’. The material on this new album is derived from live recording sessions using a variety of homemade electronics and noise equipment (as pictured in the booklet), and recorded as a duo March and April, 2018.
Four tracks span 74 minutes of ‘bruitism’ focused sonics, with the longest piece being 23 minutes, and the shortest being nine. Despite what I assume is the improvisational nature of the recordings, the tracks have compositional flow where there is a real sense of ‘cause and effect’ between the presented sounds, which is indicative of interplay between the two members during the recording sessions. Sonically speaking the sound features raw blown out metallic textures, blended with moments of stilted rhythmic pummeling. Further variety comes in the form of creaking atonal junk clatter, slashes of random electronics sonics and wonky bowed springs. Recording wise the tone is textured and detailed and while ‘noise’ derived, it is not harsh noise by any stretch and fits more within a rough industrial noise frame of reference. Consequently this means there is space for the layered sounds to breath within the mix, while sounds rapidly panning between speakers functionally increases the disorientating effect of the mid-paced industrial noise maelstrom. Beyond my more pragmatic descriptions, the title of the third track is also quite an apt descriptor of the album overall, titled A Benevolent Storm Front.
Being sonically textured, highly detailed, chaotic and warped, yet somehow strangely soothing at the same time, Offranfe et Partage is an intriguing and enjoyable listen, even if I am I am not sure to how often I may revisit this. But in being both noisy and clearly artistic in approach, the agenda to functionally realise ‘bruitism’ has been achieved.