Andrew Nolan – Museum Etiquette MC Absurd Exposition 2020
Being completely unfamiliar with this Canadian experimental noise artist, I have to take this new tape from this on face value – which certainly provides a good first impression. Amorphous and elastic in form, each side of the tape features an untitled 16-minute track. But rather than displaying a singular idea or sound, it is more of an amalgam of segments which are seamlessly interconnected. Element of musique concrete and urban focused field recordings are blended with dank experimental noise soundscapes making for engaging listening.
Side A opening with deeply echoed field recordings which have been composed into buzzing and vaguely looped drones mixed with metallic toned and loosely rhythmic structures. With the first section gives way to a field-recordings of an individual ranting in public, later segments cover electric drones, periodic bass tones and undercurrent of field-recordings (vocal chatter, train sounds, crossing alarm bells etc.). Sonically it arcs back and forth from intense to calm, but retaining a general melancholic edge throughout, even including a short mid track passage of maudlin orchestral strings. Side B brings a similar approach, with scrabbling metallic textures, slow plodding and deeply echoed death industrial thuds, arcing electric drones, and further partially abstracted field recording elements (aka train-yard noise). Again relying on an ebb and flow approach, it rises to elevated sonic peaks and recedes to minimalist tonal valleys, while towards the end of the track it gives a clear nod to the tape’s title, as it concludes with a segment of what sounds like a museum tour lecture.
Sonically this is rather artistic in approach but also rooted in a darkly underground tone, Museum Etiquette is a varied and very enjoyable experimental noise tape.