Cryptophasia – World Of Illusory, World Of Pain LP Cloister Recordings 2021
Cryptophasia is an new American/ Russian duo, where the atypical imagery and design of the gatefold artwork, orange/gold vinyl pressing, and the translucent orange outer slip-sleeve provides a strong initial impression of this being different from typical underground fare. Likewise, despite having listen to this LP numerous times, there is an amorphous aspect to its sound and general sonic approach which defies easy genre classification within a broader post-industrial sound.
In general terms the album can be thought of in two sonics halves, where the track World of Illusory leads of Side A, which overall is moody and contemplative and of a sound and style of an earlier 80’s ritual industrial approach. As such vocal chants, filmic drones, organ melodies, muted horns, ritualised clatter, and wonky industrial textures abound, where the pacing is both slow and considered. Female spoken vocals also feature on I’m On The Inside, which are offset by a mid-toned droning loop and slowly repeated three note piano melody. As for the second sonic half, the lead off track on Side B is Word Of Pain and functions to indicate a more focused aggression displayed the back half of the album. Here the mood elevates towards a composed power electronics tone, where the ritual elements are paired back and the harder industrial textures and aggressive male vocals are brought to the fore. Condemn Me is a great example of this blends shuddering textures, queasy distortion, unintelligible dialogue and distant yet urgently yelled ‘megaphone’ vocals. As for the final track The Nightmare is a concluding highlight, which much like the album overall splits its sound between the moody ritual industrial approach with harder, aggressive and nauseating tones.
Although not an overly long album, given its variety of sonic ideas on display World Of Illusory, World Of Pain feels far longer than its relatively short runtime. Clearly rooted in post-industrial spheres, it draws equal influence from early ritual industrial soundscape experimentation as well as more modern power-electronics abrasion. But there is still a large individual streak at play here which makes this stand apart from many of its contemporaries, which is no easy feat within the current post-industrial underground.