Nordvargr – Daath LP Cyclic Law 2019
2018’s Metempsychosis heralded a new musical direction for Nordvargr, being the effective culmination of a number of stylistic threads spread across various projects. To then speak specifically of Metempsychosis (reviewed here), it featured a vocal driven, song based death industrial style heavily rooted in real instrumentation, including standing kit percussion and rhythmic bass guitar. Now that well over a year has passed since its release, the follow up Daath has finally arrived, it continues the same path set down by Metempsychosis. Yet by mostly forgoing the bridging ambient interludes, Daath is a far more honed and focused affair, with eight direct song based compositions.
The first track Inner Monarch Awakened functions to metaphorically open the gates, where the wailing horns and looped creaking metallics creates a slow laborious rhythm over which Nordvargr’s gruff throat rasped vocals are bellowed. The Horsemen Ride Out On Foaming Steeds then quickly establishes itself as an early album highlight, with its deep sub-orchestral drones and thundering percussion, mid-paced bass guitar rhythm and again with prominent vocals. With a continued upward trajectory Tabernakelvisa – The Redeemer And The Secret further steps up mood, where the rolling tribal drums of death and deep thrummed bass guitar rhythm perfectly intertwine, being a track of resounding dark menace. As King, As Queen – When Kingdom Collide is yet another highlight with plodding bass and martial kit percussion, but very much framed as a vocal lead ritual death industrial song. Late album track The Light Of The Lord And The Black Sun Behind The Sun contains subtle hints of a sound which pushes more towards MZ.412 given its use of martial snare, deep brass orchestral horns and piano motif. Yet this is partly explained by the promotional blurb, as evidently Daath was recorded back to back with the latest MZ.412 album Svartmyrkr (reviewed here). As for the final track Where There Is Word There Is Enlightenment, it features as a widescreen ritual ambient soundscape, thus opts for a mellow conclusion to the album.
With eight tracks and a mere 34-minute run time, Daath is not a long album by any measure, but it packs a major impact in that short time-frame to feel much longer than it actually is. Given the song-based material is very much suited to the live arena, this was strongly evidenced when personally witnessing a number of tracks from Daath performed by Nordvargr at the Dominion of Flesh in Stockholm, November, 2019 (aka Cloister Recordings 5th Anniversary festival). As a final comment, and without putting too much of a point on it, Daath is yet another high water-mark in Nordvargr’s ever-expanding discography, so yes, this is recommended. LP and CD version comes via Cyclic Law and MC version via Cloister Recordings.