Kjostad – Environment Electronics CD Found Remains 2020
Environment Electronics was first issued by Found Remains on cassette in 2018 (reviewed here). Now it has been reissued on CD with updated artwork, along with two additional tracks and subjected to remastering treatment by Grant Richardson (Gnawed) for good measure.
The original tape version of Environment Electronics featured six tracks intent on blurring the line between environmental field recordings and man-made elements, self-described on the cover as ‘exercises in electronic-organic synthesis’. The original tracks span a variety of sonic textures and approaches including elongated and abstracted drone minimalism, light washes of static counterpointed with bird song, and a general underpinning of bass rumble and mid-spectrum static. Of the extra tracks on the CD, first bonus track Regression was originally issued on the 2019 Found Remains tape compilation Through A Glass Darkly and, based on the micro-tonal detailing, it sounds to be mostly the sonic result of a night-time forest walk complete with insect noise and bird calls. The means by which the sounds have been captured and processed is unclear, but they sound amplified and hyper-real in tonality. The middle of the track evolves into more mechanized territory with a series of intertwining elevating loops and panning static rumble. The second bonus track, Arrowhead Killer, is an abrasive cut of ‘upfront’ and detailed junk metal tones and overblown sonic textures put alongside other naturally-toned sound elements. With its careful looping and layering of elements, it makes for sonically complex and engaging listening.
The careful balancing of organic and man-made tonal elements here maintains an industrial noise rather than academic ‘sound art’ approach. The newly remastered sonics pleasingly elevate the sound to greater heights and, with the bonus tracks and new artwork, this a welcome reissue and expansion of the limited original tape.