Dream Into Dust – Fragments Of Legacy CD Chthonic Streams 2020
Dream Into Dust are a project helmed by Derek Rush with a rotating cast of contributors, but has been on a long hiatus given the group never officially disbanded. Although Dream Into Dust are well respected in facets of the post-industrial underground, more to the point they perhaps never received wider recognition they deserved. Musically the early works drew together disparate elements and influences from dark ambient, neo-folk, martial industrial, gothic and neo-classical, while later material incorporated some more contemporary influences and production techniques drawn from alternative, rock and pop.
As for Fragments Of Legacy it draws together 15 tracks, which were previously released on various compilations, or intended for compilations which never eventuated. With the collection of tracks being exclusively lifted from earlier phase the project, this suits my stylistic listening preferences, as personally I was less interested in the later evolution of the sound of Dream Into Dust. Given its musical leanings, Fragments Of Legacy comfortably sits between the sounds coming from Cold Meat Industry and World Serpent Distribution during the late 1990’s. Quite some territory is covered across the span and while martial industrial and neoclassical forms a consistent stylistic underpinning of these cinematically tinged soundscapes. But rather than stoic and bombastic, the overall atmosphere is forlorn and mournful. Equally the elements of neo-folk reinforce this archaic atmosphere which seems to sonically articulate a yearning for a lost time, with this general sentiment being specifically referenced by the title of their debut album The World We Have Lost. Yet with all that said, tracks such as The Chariot and Invictus notably stand out in all their strident neo-classical bombast. To make mention of further stylistic diversions, the album opener Stormbringer displays neo-classical and martial industrial elements, yet these are framed with a muted goth rock tone provided by the clean guitar and part sung/part spoken vocals. Other tracks like Totestadt are framed around fragile simplicity of clean guitar and piano, backed by creaking field recordings and spare neo-classical elements. Fields of Night features as an emotive and stripped back acoustic neo-folk tinged instrumental track, complete with sparse yet stormy martial percussion, while Out of Chaos Stars Are Born is also of note, coming fully formed as a shrilly intense soundtrack styled orchestral composition, moving through a crescendo and following passage of fragility. Late album track London, while neo-classical in tone also contains a whimsical Victorian gothic flavour to its core piano melody and cyclic musical motifs against which Derek recites a poem of William Blake. As for the final track The Trial Invisible, it stands apart from the rest. Deviating from the predominant atmospheric soundscapes, it is a moody and direct neo-folk song, complete with strings and cleanly sung lead vocals, thus give a partial nod to the later direction the project would take.
Packaging wise the CD comes as an 12 page colour printed booklet sleeve, with detailed liner notes on the origins of each track and pick up on some important conceptual influences, such as: poems of William Blake, The Trial by Franz Kafka, films such Slaughterhouse Five, M, Metropolis, Ulysses’ Gaze, While Fragments of Legacy may be effectively a collection of compilation tracks, it is surprising how well this disparate material hangs together as a complete album. Ultimately Fragments of Legacy is a positively conceived and compiled album, and very enjoyable document of the early phase of Dream Into Dust, regardless if you are an existing fan or perhaps a new listener to the project. A legacy of intent if you will.