Deutsch Nepal – Staring At My Wall CD Entartete Musikk 2019
By now Lina Baby Doll’s project Deutsch Nepal is recognised as a long standing, unique and ever dependent fixture of the post-industrial underground. Staring At My Wall comes some four years on from 2014’s Alcohology, although in between there was a couple of splits and compilation collections, as well as a vocal collaboration album Easting the Dust with Reutoff.
In leaping straight in, the music of the opening title track is notable as it specifically harks back to the classic sound of the long regarded classic first album Deflagration of Hell. As such the stellar track features mid paced hypnotic looped rhythms, driving beat and dark drones, while the vocals themselves are also recognised from the track Terrible Place featured on the collaboration album with Reutoff. With this basic structure set, the album rolls through collection of tracks of quintessential vocal lead Deutsch Nepal compositions. This means that some tracks are ambient and mellow, while others are more direct based on looped percussion and bass rhythms, all the while Lina’s bellowed and crooned vocals gives an immediately distinct edge. Butterfly is then notable as it charts both of these styles, where the first passage is a mellow ambient soundscape, before launching into a rousing looped rhythmic and vocal led passage for the balance of the track. How Low in its original form was on 1999’s Erosion but is featured here in a completely new version titled How Low… 2017. While the original featured low crooned vocals and an atmospheric soundscape articulating a floating drugged haze, here in its new version it features brute force martial percussion and commanding vocal delivery, thus very much feels to be a completely different track. Pasolini also stands out positively brooding orchestral drones, muted ticking/ swaying rhythmic elements and surreal and dreamlike lyrics. The final track Let Go And Slip Away then completely surprises given its upbeat and happy ditty of a melody and sporadic hand-clapped beat, yet with Lina’s vocals and mid track twist into nightmarish territory provides enough of a surreal edge to keep a foot squarely in the Deutsch Nepal camp.
With near enough to three decades of activity by now Deutsch Nepal should be a household name in the post-industrial underground. So, while on one hand Staring At My Wall certainly delivers a sound that could only be from mind of Lina. But on the other this new album is both playfully creative and addictively engaging, and a clear demonstration that Lina is still on his game. A worthy addition to the Deutsch Nepal discography.