Sutcliffe Jugend – Relentless 4xCD Death Continues 2019
Sutcliffe Jugend (SJ) have been on quite the creative run over the last thirteen years since their reactivation in 2006. During that time the group have not shied away from producing extended length releases, which has included the massive six CD set SLAVES (2016), and the double CD album The Hunger (2018). But now the end of the road has been reached, and evidently the project has come to an end, as prior to release of Relentless it was announced that SJ were no more and that this four CD set was their final statement. The title then constitutes a very succinct description of what to expect across its significant runtime.
In noting the stylistic arc of the group over recent albums, this album both aligns with and builds upon the of wider sonic experimentation of recent years. This means there is plenty of material of the partially structured industrial/power electronics, or loose guitar driven pieces resembling SJ’s take on noise-rock/doom-drone, but both approaches which are further complimented with visceral vocals with their strong psychoanalytical slant. Likewise, there is plenty of material of a more experimental and creatively divergent bent, which includes Bludgeoned (I am the one) (CD1), with an almost martial industrial feel like early In Slaughter Natives, given its clanging/ pounding framework and blaring sub-orchestral synths, yet the wailed and unhinged vocals sets it clearly within the SJ camp. Equally the wonky but controlled pulsing electronics and semi-crooned vocals of Worm (This Is The Rest Of Your Life) (CD1) stands apart given its muted melodious construct, but gradually becomes completely unhinged as the track progresses. A prominent spoken work narrative features on Pavlov’s Dog (The Artists Dilemma) (CD2), set against caustic throb and churning distortion, while the following track Different (I am a slave) (CD2) forms a minimalist tensile drone-scape with whispered vocals.
On a whole CD3 brings together a series of more minimal and subdued tracks where tone and tension take precedence over volume and harshness. The God (who craved his own death) (CD3), rates a mention with its shimmering, droning soundscape of melodious hum/chanted vocals which builds to muted noise squalls towards its end, while Scars (CD3) features minimalist micro-tonal tones, whispered vocals and loose plodding bass, while elevating tension is created though a myriad of wonky electronics. After the partial respite of CD3, the following CD4 ups the aggression again with a collection of looser and harsher PE driven tracks which arc back to a more ferocious era of the project (refer to Unleash the Fury, Violence and Stripped as key examples). Yet even so there are further surprises, such as the spoken narrative of Domestic, with its needling mid-toned electronics and sparse abstracted piano motif, and Endurance (in a world of pain), with its fast pulsing rhythmic electronics and unhinged distortion blended vocals.
Not to be content with the four main CDs, there is yet another album’s worth of material, available as a limited download card with the first 100 copies of the album. This bonus material is an effective addendum and continuation of the main collection of tracks, but perhaps siting towards the soundscape and rhythmically experimental end of SJ’s current sound. On the final track Poison (an ending), it is then a quite fitting conclusion to the entire release, being a in a dour and moody contemporary classically style, where a minimalist strings quartet and low spoken vocals characterize proceedings.
Given the massive expanse of material featured, the sheer diversity and length of Relentless is quite a thing to behold. In recent years other projects have opted for much longer releases, and with the most-high profile being Prurient’s extended album Rainbow Mirror (spanning 7 LP’s or 3CD’s). For comparative sakes, while Rainbow Mirror contains a range and engaging and sonically interesting passages, when taken in totality it never fully captured my full attention for the entirety of its duration. Yet to then refer this back to Relentless, it is significantly longer release than Rainbow Mirror, but has no difficultly in maintaining focus and interest over its substantial runtime. Perhaps Relentless won’t change your mind if the recent run of albums have not been to your liking, but for those who have been following SJ’s creative decade plus journey, Relentless is a very fitting final statement.