Streicher – Genius Of Victory LP ASRAR 2020
ASRAR’s vinyl reissue campaign of early Streicher material continues, with this being the third LP following Annihilism and Hammerskins. Although Genius Of Victory technically constitutes a new title within the Streicher discography, in actuality it is a compilation collection of three impossible to find early 1990s tapes, including Der Stürmer, Gnadelos, and Oi Terroristen.
Der Stürmer opens the album and is a track demonstrating the basic essence of industrial noise, being framed around coarse monotones and sustained synth static and crumbling textures. Streicher Skins follows with a more militaristic approach that very much embodies the self-described ‘tactical electronics’ descriptor, with upfront incessantly oscillating tones paired with a looser undercurrent of semi-rhythmic metallic loops. Des Stürmers Kampf differs through its use of a sampled orchestral nationalist militaristic song, before diverging into a bulldozing track of interweaving and pulsing bass tones and sampled crowd chanting; again, simplicity and directness is the order of the day and absolutely succeeds with the end result. Side B brings a further three tracks, where Purimfest 1946 stands out with its high-pitched needling texture offset against a lower-end idling machine tone and further crowd chanting, while the latter half of the track arcs back to another sampled orchestral nationalist militaristic song. While the crude and basic sonics of Boot Party retains the consistent ‘tactical electronics’ approach, this is coupled with the trademark gruff ‘skinhead thug’-style vocals of Ulex that makes Streicher so immediately recognisable. This approach also follows on final track Skragkraft,but is more sonically consistent with Streicher Skins given its framing around invasive high-pitched modulating tones against a shifting tide-scrabbling lower bass static, while Ulex spits gravelly vocals referencing “skinhead survival”.
Given the focus of the featured tracks, there is a singularity of approach which provides a surprising directness and immediacy that hangs together excellently as a standalone full length, rather than potentially being a disjointed compilation collection. The white vinyl pressing is of a thick 180g weight, as is the chosen card stock of the cover; this and a double-sided insert including reproductions of the original cassette artwork does this release suitable justice.