Dødsmaskin – Fullstendig Brent CD Malignant Records 2017
Dødsmaskin (…translating to ‘Death Machine’) are new project and signing to Malignant Records. ‘Fullstendig Brent’ is the debut from this Norwegian duo, and from a geographic perspective Norway has far less of a profile than say Sweden when dealing with this type of music. Thematically the album then deals with 17th Century witch trails, with the title translating to an approximation of the English words ‘holocaust’ or ‘completely burnt’ provides further conceptual context for its darkly hued drones and jaggedly erupting post-industrial soundscapes.
Crackling fires samples underpin the majority of the opening track ‘Baldom’, which is coupled with an archaic and forlorn atmosphere driven by a maudlin violins, mid track dour synth melody and later segment of intense fire blasting factory floor ambience (…aka solid death industrial). ‘Heksetimen’ follows with an offering of hollow, grinding drones and mood of lurking malevolence (…again with fire samples featuring as a prominent and consistent element), where this track also follows the format of the first track by evolving into a slow, pounding death industrial soundscape. ‘Christoffering Orning’ is the 10 minute centre piece, which commences with chanted religious proclamations, prior to leaping into a cinematically tinged, throbbing post-industrial soundscape with the anguished wailing a lone female (…clearly representative of the torture of an accused witch). After the grinding intensity of this track, ‘De Ti – 1621’ takes a more atmospheric route, with a sparse echoed dark ambient soundscape, with floating female vocals (…but mid-track this also drives towards a grinding death industrial frame). For the final of the 5 tracks ‘Dømt På Sitt Liv Til Ild Og Bål’, it perhaps demonstrates the greatest degree of restraint with a distant tolling bell, manipulated micro-tonal textures, and a final segment consisting of a ‘duet’ between sparse strings and a tragically toned piano melody.
With ‘Fullstendig Brent’ featuring 5 tracks between 7 to 10 minutes each provides an overall run time of 42 minutes, yet given the presented material is varied and highly detailed in sonic scope the album feels much longer than this (…this observation is meant in a positive light). In sonically articulating its heavy weight theme, the means of recording is highly detailed, nuanced and expertly constructed, where passages of relative calm provides for balance and relief from other passages of highly tensile atmospheres. Likewise ‘Fullstendig Brent’ is noteworthy in that achieves a cinematic soundtrack feel (…rather than a more typical ‘song’ oriented framework), and consequently has resulted in a divergent and high caliber death industrial offering.