Am Not – Incursions MC Zaetraom 2018
Tamon Miyakita’s project Am Not is very much a current ‘leading light’ in the underground. With a sound built upon an established bedrock of the post-industrial scene, Am Not have also developed a highly recognisable approach within a heavy electronics/ power electronics/ noise industrial style. In then noting that the key releases from the project being able to be counted on a single hand, Am Not’s discography is already extremely focused, meaning the project is yet to disappoint. This new release continues this established modus operandi, and pleasingly contains an album’s length of new material (approx. 40 minutes).
The tape opens with the track Into Hostile Space and features an archival sample of George Bush Jnr, which in today’s context is far more interesting given the current US political climate. Musically speaking it features all the hallmarks of the best elements of project, where roughly hewn metallic tones are offset against crushing loud and sonically thick loops and mid-toned tensile drones, as the heavily process vocal barrage rounds out a storming opening track. But in moving away from a now recognisable sound Am Not, Incursions is noteworthy for its willingness to experiment and push into uncharted territory. Once such example is Feindes Land with its initial blending of neo-classical and dialogue sampling, which quickly gives way to a swaying, electronica tinged industrial track, completed with spoken vocals courtesy of Hermann Kopp. As for another significantly deviating track, Auf Wiedersehen, Pet could perhaps be playfully described as an unnamed Soviet era project trying to emulate Kraftwerk! Continental Drift III is also sonically differentiated from the rest by the fact of how subdued it is, and is framed around deep sub-orchestral drones, passive echo treated junk metal sounds and spoken Russian female vocals. Elsewhere a perhaps more ‘typical’ highly composed power/heavy electronics sound of the project is employed (i.e. top notch), but one striking example is Irruption where the rabidly intense vocals are immediately recognisable as that of S.T.A.B. Electronics.
Thematically speaking prominent dialogue samples are strongly represented, while guest vocals are employed and feature on a number tracks, where I was later informed that Tamon’s (English) lyrics on the opening track are repeated in different languages on three other tracks (including: German, Gaelic, and Russian), thereby subverting its meaning and message from a singular perspective. Thus, apart from the outstanding strength of the music featured on Incursions, part of the enjoyment of engaging with a release such as this is carefully listening, picking apart and interpreting both samples and lyrics (where detectable). To that end at a most simplistic level the thematic preoccupations of Incursions could be interpreted as a multifaceted analysis of nationhood, identity, sovereignty and associated political influence in a globalised context which has emerged following the Cold War (but as always there are likely to be elements I have perhaps either misinterpreted or otherwise completely missed). Seemingly not short on sonic or conceptual ideas, Am Not are going from strength to strength, where Incursions is yet another mandatory release.