Ochu – Unproduktiw LP Verlautbarung 2018
Ochu is the solo project of Swede Love Rosenström, and while he has been recording as Ochu since the early 2000’s I am only familiar with recent output (although I then have a vague appreciation that his current material has elevated experimentation and dialled down slightly on a harsher noise and heavier industrial aesthetic).
With the current approach based on meticulous layering and blending of textural sonic detail, Ochu’s material in highly animated and sonically nuanced. Likewise, by avoiding any semblance of stuffy academic experimental music, there is clear force and intent at play where the results are engaging and above all vital. Much of the assembled sonic content appears to have been generated from field recording or contact mic based recording sessions, but those inputs have been further manipulated and abstracted to achieve textural density and complexity. The opening track Struisvogelpolitiek is a great example of this, with tonally load creaking wood and metal, where the ‘micro-tonal’ recordings have been elevated to a loud and overblown tone which bridges the organic and the mechanical. Humos De Existencia Estática is a slow burn of a composition, where a jagged yet muted loop is overtaken by an invasive and incessant drone which fractures and multiplies in intensity, while the other rough echoed loops are used for vague ‘train carriage on tracks’ rhythmic effect.
Förnuftsflimmer (Partiellt Anfall) opens Side B are draws out a minimalist ritualised pulse which is blended with a series of forceful mechanical drones, while further micro-tonal textures are elevated to the forefront of the mix. Contra-tasking functions as a short interlude of a fractured grinding loop, which is followed by the lengthy track Segments of Destination concludes the album. Commencing with a spacious mix and again with a focus on micro-sonic detailing (i.e. rocks, wood, metal), the various elements amalgamate into loosely elevating loops, as a deep, muted bass rumble elevates with storm-front intensity. Yet clear restraint is still employed, as rather than building the track an overblown climax, the storm-front passes by and gradually recedes into concluding oblivion.
In both the sound, style and graphic presentation Unproduktiw clearly side stepped any of the typical clichés which could be levelled at the post-industrial underground, and is an album of passion and dedication to a personal sonic craft. Clearly bridging the gap between musique concrete experimentation and roughly hewn post-industrial soundscapes, Unproduktiw is a clever and expertly executed release. Recommended.