Sarin Snow – Incurring Wisdom MC Slave Chandelier 2019
Sarin Snow – Deus Vult LP Breathing Problems Productions 2019
I have only recently come across Sarin Snow, which is a relatively new American project with a clutch of releases since 2016. The majority of those has been issued on Slave Chandelier, which as I understand it is helmed by the same individual behind Sarin Snow.
The latest cassette Incurring Wisdom functioned as my proper introduction to the project, which although broadly billed as being an industrial/power electronics project, to my impression there is far greater degree of sonic linage of the militant noise-industrial/heavy electronics prevalent in the Europe territories in the mid-1990’s. Given it is far more subdued overall and with a decidedly more ‘European’ angle to sound and approach, this means Sarin Snow feels to be a bit of an anomaly when compared to the majority of material to come out of north America.
Incurring Wisdom features four tracks over around 27 minutes – pressed on a gold cassette, with fold out artwork/ lyric insert. Ecclesia Unveiled kicks things off with grimly droning oscillations, while the heavily rasped vocals are muted with distorted echo and sit semi-buried within the mix. So, while the vocals are clearly discernible as a vocal texture, the actual lyrics are not, meaning the voice is effectively presented are as another sonic element. With the general sonic premises established on the first track, the balance of the three tracks play out as variations on this theme, where the resultant grimly laborious yet tensile sound is a strongly engaging one. On Side B, Iron Cross is a particularly good example of an effective sound despite a straightforward approach, where layered loops and vocals ratchet up tension.
Moving onto Deus Vult, it is another recent 2019 release, but which embodies an ever so slightly different tone and approach. The same sort of grim, laborious tone of the oscillating drones (synth?) remains, as do the raspingly yelled but muted vocals. Yet the overall atmosphere feels to be a heavier and more direct, which becomes quite crushing on a number of tracks due to the greater reliance of junk-metal/factory floor derived sonic elements. This tonal rawness of slabs of metal dragged across a factory floor and metal bars dropped on concrete etc. provides a cavernous echoed depth to the generated atmosphere. Saint Longinus is a track which stands out from the rest, with its generally sedate tone, by featuring a maudlin melody, watery textures and dour spoken vocals which are blended with junk metal sonics. That mood bleeds into the final album track Saint Michael follows suit, where the simple by effective synth melody carries a dour melancholy atmosphere against an elevating cascade of junk metal tones. Of note, the title of Deus Vult is a Latin phrase for “God wills it”, and while the track titles give a religious nod, the lyrics themselves remain abstracted, but rather than giving the impression of pious worship and devotion, it appears more to articulate strength and spiritual mysticism.
On both releases Sarin Snow display strong ideas and solid execution where both releases embody a laborious, menacing yet melancholic approach. Likewise, with track titles and chosen imagery being presented in an abstracted/ non-linear way, meaning the theme and message remains obscured and allows the listener to piece together their own impression of meaning. From these initial impressions Sarin Snow are clearly worthy of attention and investigation.