Unknown Artist – The Church Eternal MC Fanaticism 2015
Unknown Artist – Musikalisches Opfer MC Fanaticism 2016
This mysterious ‘anonymous’ project released 6 tapes during 2014 and 2015, being were issued on various tape labels and in different versions and editions. Evidently the Fanaticism tape label was then established to draw together all musical works by the unnamed project under the single label and conceptual banner. The consequential result has been the reissuing of the tapes with a unifying colour scheme of black and blood red J cards and solid black cassette tapes. With reference to 3 tapes ‘Yirat HaShem’, ‘HaIOTh HaKODeSh’ and ‘Ecclesiastical Reich’, these broadly feature sacral tinged noise-industrial soundscapes. As for the other 2 tapes reviewed here, they build upon the established sonic base, but at the same time also displaying a greater restraint with respect of the harsher and nosier elements.
On ‘The Church Eternal’ it displays an approach which is more ambiental than the material on preceding tapes, but is still quite forcefully droning in sections. The 28 minute piece on Side A is titled ‘Sancta Mater Ecclesia, Dominatrix Populorum’, which itself translates to: ‘Our Holy Mother, the Church , Mistress of the People’. The lengthy has a type of cyclic, slow building droning noise approach, which elevates in intensity, including the use of loose jagged metallic reverberations, which eventually makes way for a heavy church organ dirge at the midpoint of the track. Following this, the piece pares back to almost silence, before slowing building again, being built around an ominous droning churn and slow atonal bass guitar (…or perhaps the thudding notes of a prepared piano?), which by tracks end has built back up to heavy ritualized droning noise. Interestingly its sacral experimental soundscapes bring to mind the non-metal sound of Reverorum ib Malact during more than one moment – which should be taken as solid praise. Side B then features the track ‘Nulla Salus Extra Ecclesiam’ (translating to ‘No Salvation Outside the Church’), and is more restrained and catacomal in tone, which reminds of a less refined and sonically murkier version of raison d’etre current era of abstract industrialized dark ambient soundscapes. Here deep and distant tones radiate out, shrill tone flutters overhead, slow percussion of doom provides some structural focus, with the human element is derived from ominous choir chants and French dialogue sample recites some form of speech/ sermon. A fantastic enveloping ritual soundscape to simple get lost within its cavernous depths and arcane atmospheres.
Moving onto ‘Musikalisches Opfer’ it is another tape of newly released material, featuring 2 lengthy but untitled tracks (1 each side). Side A bring a piece with forward momentum driven by plodding atonal bass, where swirling loops and cyclic chants further elevates the piece. A sacral dark ambient sound prevails, where the vocal chants become more anguished lamentations through the middle, which itself evolves into a cyclic grinding mass of analogue sounds (i.e. hum, drone and rumble) under which a sampled religious sermon is buried, being barely audible within the sonic mass (…and in the process very much reminding of old Archon Satani – in other words fantastic). Side B bring another approximate 30 minute track, where a subdued low bass drone and even more distant buried religious sermons are used, over which a range of sparse atonal plucked and bowed string instruments and sampled choral chants creates an abstract modern classical feel. But things gradually morph away from this, given the cyclic drones ratchets up the tension to create something like subdued and sacral themed doom drone. Another very strong and extremely atmospheric offering.
Clearly these two tapes (along with the others released under the Fanaticism banner) have a certain amount of ‘kvlt’ obscurity and appeal given their presentation and its concealed thematic approach. On the later front I am personally still sifting through the thematic clues of each of the 5 tapes to determine my own thoughts on an interpretation of potential stance or message, so won’t proffer any specific thoughts at this juncture (…particularly as there seems to be greater intent than merely seeking to invert the meaning of the overtly religious content). But the mere fact that such clues are semi-buried and cloaked in obscurity, makes for all the more engaging listening. I also do not have sense of whether the person behind this project may be from the post-industrial or black metal underground (or perhaps outside of any such scene affiliations altogether?), but irrespective of this these are extremely well executed tapes in terms of their sound, concept and presentation.